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As our contribution to National Flash Fiction Day 2012, run by director Calum Kerr, Flash Fiction World held a competition for stories built around a famous phrase. The response was fantastic and FFW thanks all entrants for their participation.
There were some superb entries, but as usual they had to be whittled down to first, second, and third. So, without further ado, here are the winning entries:

1st
Ever has it been that love knows not its own depth until the hour of separation by Lorna Louise Hutchison.

2nd
The Day The Music Died by Iain Pattison.

3rd
Every Picture Tells a Story by Francesca Burgess.
Congratulations to Lorna, Iain, and Francesca. I will be in touch with you at the weekend.
The winning stories, with judge's reviews, will be available to read on Flash Fiction World soon!

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Firstly, we’d like to say a big thank you to everyone who entered and promoted the #OUATWRITING contest. We had 88 fantastic entries and it was a huge struggle to pick just 3 of these as our winners. We had everything from evil Cinderellas to sci-fi to modern day tales and it was a delight to read them all… hence why we decided to publish them all in an anthology which will be available as a paperback and eBook very soon!
So without further ado, the winners of the contest are:
GRAND PRIZE
Oliver Barton– ‘Pink Bells’
AWAKE PRIZE PACKAGE for ‘Best Adaptation’
Angela Readman– ‘A Mermaid in Texas
TWIXT PRIZE PACKAGE for ‘Best Original’
McKenzie Barham– ‘I can show you the world’
We’d also like to remind you of the winner of the mini-comp…
#FANFAV (voted for by the fans via Twitter votes)
Cory Eadson– ‘Three Simple Words’
Well done to you all!
As well as the individual prizes, the 3 main contest winners will be published in the National Flash Fiction Day Winners Anthology, which will be available soon – details to follow.
The winner of the GRAND PRIZE is published below for your immediate enjoyment…
Pink Bells
Oliver Barton
The pair progress laboriously along the path in the park. He leaning on a stick, each step a pain, she almost bent double, hand in his. She clutches a paper bag. They sit carefully on a bench, very close, avoiding the damper spots. In front of them stretches a sea of pink bells.
It is nine in the morning, and the bag contains croissants. Gertie hands one to Arthur. They nibble in silence, flakes fluttering like confetti.
While a blackbird sings and sparrows edge towards the crumbs, Gertie extends a bent finger towards a plaque half-submerged in the flowers.
‘What does it say?’ she asks.
‘I don’t know,’ he says, because it is several feet away and his eyes aren’t too good.
With a groan, she gets to her feet and shuffles towards it. Bent as she is, she still can’t make it out. She retrieves a pair of spectacles hanging round her neck, and peers closer.
Arthur hears her saying something, but his hearing is not too good either. He sees her move forward among the flowers. As she does, she shrinks, smaller and smaller, until she vanishes into the pinkness.
Two sparrows squabble over a croissant crumb and fly off, startling Arthur. He struggles to rise. With his stick, he moves the blooms aside so that he can see the plaque clearly. He expects something like the name of the business that has sponsored this bed, but it simply says ‘Come in. Make yourself at home.’
So he steps into the sea of flowers, and at once the pink bells inflate and grow until they are several times his height. The scent is overwhelming, the chime of the bells deep and sonorous. He walks towards Gertie and the others, praying that it doesn’t rain. A raindrop the size of a settee would be unsettling. But, he thinks, they must have ways of dealing with that.
Back on the bench, a little breeze sweeps the paper bag off into a graceful dance, an homage, an obeisance, and all is still.
*
Winners will be contacted via email about their prizes.
Thanks again to everyone who entered - we hope you had as much fun with the contest as we did! Make sure you visit us at Yearning for Wonderland and SJI Hollidayfor more information about the anthologies.
Sprinkles of fairydust,
Susi & Anna
(Dark Fairy & Fairy Queen)

I’ve been writing – and writing about – flash fiction for a while now and I love how diverse a discipline it can be. Ask me my definition and I bet it’ll be different to what you were told last time, and different again to what you’re told next. And that’s what’s so great about writing micro: it might be small in scale but it’s more than substantial in scope, from process to performance. 
And that's what the Manchester-based FlashTag writing collective (which consists of Manchester Blog Awards winners and flash fiction writers Benjamin Judge, David Hartley, Fat Roland and Tom Mason - oh, and me) were thinking about when we came up with our idea for a National Flash-Fiction Day event. We're fans of site-specific stories and of delivering our prose in unusual ways, so we've decided to treat the rainy city to some guerrilla story-telling; some flash fiction flashmobbing, if you will. We plan to travel across town, stopping off at various locations - from cultural venues to iconic spaces - where one of the group will read out a piece of short fiction to the public then move on. We're not releasing details of the itinerary until the day, when you can follow our progress - and perhaps catch us in action - via our Twitter account, @flashtagmcr.

The FlashTag collective is currently running a flash fiction writing competition as part of Chorlton Arts Festival: you have until midnight today (Friday 27 April) to enter! Full details here: http://flashmobmcr.wordpress.com/

Sarah-Clare Conlon is a writer and editor, and one half of flash fiction/music combo Les Malheureux with David Gaffney. You can read more from her on award-winning arts blog Words & Fixtures.

There's less than three weeks to go before the first National Flash-Fiction Day is upon us, and two days before THAT, I'm going to be running a flash-fiction workshop in Manchester City Library. The event's sold out now, but you can still sign up to get on the wait-list, if you're interested. And to get you interested - and perhaps to demystify things for those of you who'll definitely be joining me on the day - here's a taste of what's in store.

First off: no lectures, no tutorials, no severe editorials - this workshop's going to be all about the writing. (And a little bit about the reading - it is in a library, after all...) If you're anything like me, the blank page is a savage horror on the desktop: whilst those first words can be honed and tweaked and crossed out and reconsidered, getting them down in the first place is often the problem. So I want to use this workshop as an opportunity to break down these barriers - for one night, at the very least! So what we'll do will be a couple of very fast, very frantic writing exercises. It'll be fun, and there won't be time to over-think - or, perhaps, to think at all! - or to get intimidated; we'll be gathering prompts and blasting our way through some far-from-premeditated stories as fast as a ticking clock will allow us. (I promise not to bring a ticking clock.) And to get you in the mood, in between rounds, I'll be showing you some of my favourite examples of flash-fiction - for inspiration, not intimidation! At the end of the session, nobody will have to share their stories, but if they want to, there'll be the chance to get them uploaded onto the library's website. Fame! Our great Director, Calum Kerr, has also set up a new flash-blog if you want to send him your work - and I'll also be talking to you about other submission opportunities for flash-fiction.

And if all this hasn't scared you off, I'll see you on Monday May 14th!

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It's #StorySunday over on Twitter. In case you don't know what that means, people but the 'hashtag' #StorySunday into their tweets and post a link to a story they like. I've been watching it this morning and a number of people are posting their links to stories which won the first National Flash-Fiction Day micro-fiction competition. I wanted to add a National Flash-Fiction Day voice to the throng, but what an invidious choice, asking me to pick between my children. So, I thought I would post all of the stories here, giving you the chance to read them if you haven't yet, and then I can post a single link and no-one gets left out!

So, in alphabetcial order, here are the ten wonderful stories which won this year's competition. I hope you enjoy them and please feel free to tweet this post, share this post on Facebook, tell your friends on the phone or just sit back on a lazy Sunday and enjoy.

'New Shoes'
by Jenny Adamthwaite

Dad wanted trainers.
"I'd like to know I could run away," he said.
When the hospital bed lay empty, it gave us a moment's hope.

'Sad Lover'
by Jason Bagshaw

Beth and Alana had reservations at the restaurant in town. On the phone Beth said, 'I'll meet you at seven,' and Alana faked excitement and said, 'Can't wait.' Half past seven and the two of them were seated, ordering their drinks, listening to the piano of a popular composer coming through the speakers. 'It's Bach,' said Beth. 'I know,' Alana replied, but she knew it was Mozart and she wanted to break things off with her. 'I'm going to tell George everything,' said Beth and Alana cried inside. 'Good,' Alana said and hummed along to Mozart. To Bach.

'Black Hole'
by Daniel Carpenter

There is a black hole above her house.

This swirling cosmic nothingness, ever expanding, tendrils reaching out across the sky. She does not know how it got there. She knows it's taking her things. She does not remember last Saturday. When she tries to explain it she can't. She wants to say, "There's a black hole above my house and it's stealing every memory I have ever treasured," but it is not the kind of sentence people understand.

The black hole expands, time collapses in on itself.

She discovers her twelve year old self in her attic.

'She'll Leave You For A Man'
by Kirsty Logan

You've always known it: that gleam, that glint, that licking of lips that means she is thinking about them. Men.

She thinks about them while smelling night jasmine, while rolling out pastry, while signing the bill for the waiter.

And so she will go. She will forget the shape of your hands.

But she will tire of her stubble-rashed chin, of long silences and calloused thumbs, of nothing to pillow her head.

So wait. Just wait.

'Meredith'
by Amy Mackelden

On Grey's Anatomy, everyone's slept with everybody, and although real life is complicated, I'm sure it's not that complicated, or if it is then everyone's fucking without me, doing it secretly, when I'm at Pilates, or sleeping between ten and eight.

'New Build'
by Clare O'Brien

There is no door to close. Just space, scaffolded, bathed in mud and builder's grit. The air rolls in, clouds of steam boiling from impervious stone, steel rods singing down into the sea.

I can already smell the tang of a fire burning at our bare hearth as the rain sweeps through the rafters. Our boys climb ladders lashed to girders, laugh at the water which sticks their shirts to their backs.

Around our house's heart the rooms are growing shells. Inside these plotted squares we'll live our story. The windows wait outside, roped against the wind.

'The Worst Head in the World'
by Angela Readman

Liam gave me his mother's head. I guess he was sick of carrying it around.

'It's just for a while,' he said, placing the jar on the drawers. In the dark, lips made budgie-like kissing sounds. We had a reason to screw loud.

Come morning, the head tutted, 'I WANT a doily.'

It frowned if I wasted chicken bones, or didn't ask Liam if he'd washed his hands.

When he went, Liam left the head behind. It wavers in the water, tells me I'm not good enough, nods when I iron seams in jeans.

'Alterations'
by Tim Stevenson

After the accident she came home rebuilt.

At breakfast, the platinum beneath her skin glows, pulsing with electricity, curiously alive.

I take some toast, spread butter. I see that there are no eggs in the pan.

She smiles, a mechanical lighthouse across the blue ocean of tablecloth. Her head turns smoothly towards the window, her warmth coming only from the sun.

I open my newspaper setting the pages full sail, seeking guidance in the new star of her unreadable face, in the night of her eyes.

Tonight I know I will not dream of her, only of the sea.

'Relieving Mafeking'
by Alun Williams

The 06:17 from Nuneaton stops for three minutes outside Wembley on its approach to Euston. For one hundred and eighty seconds, Mafeking Jones sits open mouthed in his usual seat, staring at a naked woman, framed like a fallen Madonna at her open bedroom window.

No one else notices, no one else sees, perhaps because they are insularly wrapped up in newsprint tales of economic gloom and sporting deeds that have now passed to memory.

Mafeking is an accountant, a man of spreadsheets and numbers but for those three Wembley solitary minutes he's Michaelangelo in a Florentine dream.

'First Person'
by Martha Williams

You lie within me, cupped and curled. You're in me, I'm in you; we're each other's inside out.

They count your fingers, toes, chromosomes... twice. My head spins.

Are you upside down?

They turn off the monitor. They speak in needles, numbers, and odds. I strum my fingers to your kicks.

They say, "If you... we have pills... the products of conception would..." They don't smile. My belly tightens.

Can you feel me? I'm your first person.

I say, "The products of conception, call them 'Emma'".

You lie still...

When you wake, you can call me 'Mum'.

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Dear Flash-Fiction Fan,

I am a flash-fiction writer, an editor and a lecturer in Creative Writing, and I have a dream of a day celebrating flash-fiction.
Flash-fiction exists in the grey area between poetry and the short story, so, why not have a day in between the two National Days for those forms dedicated to it? It would be a day in which we tell the world about these short, short stories that we craft and encourage them to read and write them.
As a result, Wednesday May 16th 2012 will be National Flash-Fiction Day in the UK and I need your help.
What I would like is for the day to co-ordinate all the activities you would already do - readings, open-mics, workshops, publications, competitions, and anything else you think of - all under the banner of National Flash-Fiction Day.
There will soon be a website to co-ordinate the events and let people know what's going on in their area. It will also have pages for all flash-fiction writers taking part on which they can feature themselves and their work, add links to buy their books, etc. I want it to be a resource for flash-fiction as much as a site for the Day itself.
So, what I need from you is to start thinking and planning your events; spread the word about the day, about this blog and our Facebook page (www.facebook.com/nationalflashfictionday), ask people to sign up for the mailing list at nationalflashfictionday@gmail.com and generally become part of the whole thing.
There is no funding behind this event, no mass team of adminstrators, so apart from co-ordinating it, I'm relying on you to do what you do best and bring this thing together.
If you want to volunteer any ideas for promotion, your time to help out, or anything else, please get in touch.
This will be the first National Flash-Fiction Day, but with your help it won't be the last.
Thanks for your support and roll on next May.
All the best
Calum Kerr
National Flash-Fiction Day Co-ordinator.